Last week, a group of female protesters dressed as handmaids from the popular show “The Handmaid’s Tale” ventured through the Ohio Statehouse in protest of Senate Bill 145, which would restrict abortion methods. Although protesting often involves hyperbole designed to make a point, this goes too far. Equating the abortion debate to a dystopian show where women are used as incubator slaves is intellectually dishonest––and, frankly, deeply offensive.
The bill they were protesting would ban dilation and evacuation procedures, which are exactly what they sound like––the cervix is dilated, and suction is used to get the fetus out. They’ve come under scrutiny in many states because they’re used when the fetus is more developed, so laws restricting them are fairly common.
Read more in The Washington Examiner
Change—terrifying change in society—can happen quickly. It rarely happens as quickly as we imagine.
Margaret Atwood’s 1985 speculative fiction classic The Handmaid’s Tale has just aired its eighth episode of a Hulu television adaptation. Previously turned into a clunky Canadian movie in 1990, this new version is beautifully shot, well-cast, and stars Mad Men’s Elizabeth Moss who easily carries the role of a shrewd, frightened and wry woman, concealing fury and a determination to survive the theocracy she finds herself in. Moss plays Offred nee June, the eponymous woman whose narration states she “once had another name–but it’s forbidden.” She’s had a child before. She’s presumably fertile. Her husband was previously married, so their union doesn’t count in this new world, and she has been become birthing chattel.
Read more at SpliceToday